Actors Ravi Teja and Sreeleela have collaborated on another project, tentatively titled RT 75. They were seen previously in Dhamaka, directed by Trinadha Rao Nakkina. The formal puja ceremony of RT 75 was held in Hyderabad on June 11. The cast and crew associated with Ravi’s 75th project attended the pooja ceremony. Sithara Entertainments, one of the most reputed production houses in Telugu Cinema, is producing this film. Fortune Four Cinemas and Srikara Studios are also associated with the film’s production. Writer Bhanu Bhogavarapu will mark his debut as a director with RT 75. It is expected to release on big screens in 2025. According to the reports, Ravi’s character Lakshman Bheri, will be a humorous role that will correctly align with his Mass Maharaja image.
Music director Bheems Ceciroleo, who composed Dhamaka’s soundtrack, will score RT 75’s music as well. Vidhu Ayyana will handle cinematography, while Nandu Savirigana will write the dialogues for the story. Bhanu has penned the dialogues and National Award-winning Navin Nooli will edit the film.
Social media users are eagerly looking forward to watching Sreeleela and Ravi’s collaboration after Dhamaka. Besides these 2 actors, the rest of the cast has not been revealed yet.
Both Ravi Teja and Sreeleela had earlier faced a string of flops. Looking at the Mass Maharaja’s career, he has delivered 9 flops out of his last 12 films. His last box-office hit was Raja The Great in 2017 and his career has gone downhill since then. Looking at Sreeleela’s graph, the 22-year-old actress had five films released in 2023. Amongst these films, Skanda, Aadikeshava, and Extra Ordinary Man were massive flops. She, however, gained the limelight for her dancing skills and acting prowess in her last released Guntur Kaaram, headlined by Mahesh Babu.
She won favourable reviews for her electrifying dance moves along with Mahesh on the song Kurchi Madathapetti from Guntur Kaaram.
Thaman S composed the music for this track while Saraswathi Puthra Ramajogayaa Sastry penned the lyrics.
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